Thursday Poem – ‘A Portrait of a Dog as an Older Guy’ by Katia Kapovich

Photo By Alex Proimos from Sydney, Australia – Sweet Old Dog, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=25649934

I love this. See what you think.

A Portrait of a Dog as an Older Guy

By Katia Kapovich

When his owner died in 2000 and a new family
moved into their Moscow apartment,
he went to live with mongrels in the park.
In summer there was plenty of food, kids
often left behind sandwiches, hotdogs and other stuff.
He didn’t have a big appetite,
still missing his old guy.
He too was old, the ladies no longer excited him,
and he didn’t burn calories chasing them around.
Then winter came and the little folk abandoned the park.
The idea of eating from the trash occurred to him
but the minute he started rummaging in the
overturned garbage container, a voice
in his head said: “No, Rex!”
The remnants of a good upbringing lower
our natural survival skills.

I met him again in the early spring of 2001.
He looked terrific. Turning gray became him.
His dark shepherd eyes were perfectly bright,
like those of a puppy.
I asked him how he sustained himself
in this new free-market situation
when even the human species suffered from malnutrition.
In response he told me his story;
how at first he thought that life without his man
wasn’t worth it, how those
who petted him when he was a pet
then turned away from him, and how one night
he had a revelation.

His man came to him in his sleep,
tapped him on his skinny neck and said:
“Let’s go shopping!” So the next morning he took the subway
and went to the street market
where they used to go together every Sunday and where
vendors recognized him and fed him
to his heart’s content.
“Perhaps you should move closer to that area?”
I ventured.—“No, I’ll stay here,” he sighed,
“oldies shouldn’t change their topography. That’s
what my man said.”
Indeed, he sounded like one himself.

Wednesday Weed – Red Campion Revisited

Dear Readers, last year I planted lots of wildflower seeds, in the hope that something interesting would pop up, and this year seems to be the year of Red Campion – there are half a dozen plants, all looking very pink, and attracting the attention of rather a lot of aphids. Let’s hope that the aphid munchers won’t be far behind!

To be honest, I’m amazed that anything  is thriving at the moment – the shed is down, and the slab for the next one is laid, but the remains of everything else (including the eight-foot bamboo that was supposedly ‘contained’ in a trench behind the shed, but which was in fact breaking out in all directions) is strewn about the garden, waiting for a skip. Hey ho. At least my neighbours have plenty of bamboo canes for their allotments.

And now, let’s have a look at my original post about Red Campion, from 2016. Where did those ten years go, I wonder?

Red Campion (Silene dioica)

Red Campion (Silene dioica)

Dear Readers, there is a ‘wild’  burial site in the cemetery, close to where I feed the foxes. I love this as an idea – I can think of no nicer place to be interred,. One area has been roped off, and it’s full of ox-eye daisies, grasses, speedwell and the pink flowers of red campion. However, it’s not plain sailing all the way, and it’s clear that there’s more work to be done on some of the other parts of area. Here, for example, are some of the docks. Many of them are so enormous that they actually look down on me, like triffids who are just waiting to pull their roots up before they take over the world.

IMG_6798This is the problem for anyone who tries to set up a wildlife meadow. In ‘real life’, these would be mowed regularly, to gather in the hay and to prevent the perennials (like the docks and sow thistles and bindweed) from setting seed. If this is neglected, within a year or two what you have is not a meadow, but scrub, and all the biodiversity disappears. On the other hand, I did see this very splendid red dock weevil, but I think he will need lots of little friends to cope with the sheer volume of dock leaves.

IMG_6481Anyhow, back to the red campion. This is a native plant, and a member of the Caryophyllaceae, the same family that includes chickweeds, stitchworts and pinks. The petals are very deeply notched, and the flowers always look to me like gears from a child’s model engine.

IMG_6812The Latin species name ‘dioica’ indicates that, as with annual mercury, the male and female plants are separate. The male flowers have ten stamen (though some might be buried within the capsule of the plant at any given time), and the female plants have 5 style (which look like little white hooks). The seed capsule has ten strongly down-curved teeth on the edge. I am currently doing the Botanical Society of Britain and Ireland’s Identiplant course, for which I had to find ten plants and record how many were male and how many female. In my little sample, there were nine males and one female, which makes me wonder a little about whether there is something in the seed mixes used for ‘meadows’ which favours one sex over another, though I have no idea why this should be.

IMG_6809The genus name, Silene, comes from the Greek god Silenus, who was always drunk, and is often depicted swaying atop a long-suffering donkey. Now, the name Silenus is said to come from the Greek word for saliva, implying that Silenus was not only drunk, but drooling. What a delightful picture! However, the link with the Red Campion is that the female flower is said to produce a foam which helps to capture pollen from visiting insects. I have not seen a bloom doing this, but will keep an eye open and see if I can capture such behaviour on camera if I notice it.

Just to complicate matters, red campion contains a substance called saponin, which has been used in soap-making – indeed another member of the family, Soapwort, has historically been used for just this purpose. Maybe this is another reason for the ‘Silene’ Latin genus name.

'Drunken Silenus Supported by Satyrs' - Anthony van Dyck. Public Domain.

‘Drunken Silenus Supported by Satyrs’ – Anthony van Dyck. Public Domain.

Red campion has a variety of alternative names, but one that I like is ‘Bachelor’s Buttons’, referring to the way that the plant was worn as a buttonhole by eligible males. However, it was also said to be one of the flowers that children should not pick, as it was associated with the death of parents – on the Plant Lore website, one person reports that the plant was known to them as ‘mother-and-father-die’. On the Isle of Man, red campion is said to be beloved by the fairies, and so it shouldn’t be picked by humans. The plant is also said to be efficacious in the unlikely event (in the UK at any rate) of being threatened by a scorpion: all you have to do it grab a handy red campion and hurl it at the offending arachnid and he or she will scuttle away. Never let it be said that you don’t learn useful things in the Wednesday Weed.

Dock weevil (Apion frumentarium I think)

Medicinally, the flowers of red campion have been taken in a glass of wine as a treatment for kidney and liver complaints and internal bleeding. The crushed seeds are also said to be efficacious against snakebite, but on the Plant Lore website mentioned above, one lady, from Wales, said that her grandmother was convinced that a snake would come into the house if she brought a posy of the flowers, so it appears that you can’t win.

You might expect that such a bright-faced spring flower would attract the attention of poets, and you would not be wrong. Mary Howitt (1799 – 1888) was the author of ‘The Spider and the Fly’ (parodied by Lewis Carroll in ‘Alice’s Adventure’s in Wonderland’ as ‘The Lobster Quadrille). She was a most prolific writer, creating over 180 books, and wrote many poems for children. Among them was ‘Summer Woods’ (you can read the whole poem here, and a fine evocation of the joys of the great outdoors it is too).

Come ye into the summer woods;
There entereth no annoy; 
All greenly wave the chestnut leaves, 
And the earth is full of joy.
 
I cannot tell you half the sights
Of beauty you may see, 
The bursts of golden sunshine, 
And many a shady tree.
 
There, lightly swung, in bowery glades
The honeysuckles twine; 
There blooms the rose-red campion, 
And the dark-blue columbine.

 

There are many things to love about Mary Howitt, who had a most full and adventurous life, including relocating to Scandinavia (where she learned Swedish and Danish and proceeded to translate Hans Christian Anderson’s fairy tales), being friends with the Wordsworths and Charles Dickens,  and meeting the Pope. She was never separated from her husband William, and The Times had this to say about them:

Their friends used jokingly to call them William and Mary, and to maintain that they had been crowned together like their royal prototypes. Nothing that either of them wrote will live, but they were so industrious, so disinterested, so amiable, so devoted to the work of spreading good and innocent literature, that their names ought not to disappear unmourned.’

Picture_of_Mary_Howitt

When I read about the lives of Victorians, I am amazed by the fullness of their lives, and the variety of things that they got up to. However, it would be a mistake to think of them as  exceptional. Every person, if listened to in a sympathetic way and asked the right questions, seems to have had an extraordinary life. We rarely think of our lives as in any way unusual, but if we stop to consider the experiences that we’ve had, the people that we’ve met and loved and influenced, the place that we have in our community and in our family, we might be surprised at the richness and complexity of our existence, the extent of our interconnectedness. In a world that seems to view other living things, including human beings, as expendable, it’s worth remembering how precious every single one of us is.

New Scientist – Bumblebees Have a Natural Sense of Rhythm

Dear Readers, not only are Bumblebees the Einsteins of the insect world, but they also turn out to have a natural sense of rhythm. An experiment by scientists at Macquarie University in Sydney, Australia, have found that the bees can not only recognise a Morse-code like rhythm, they can recognise it when the rhythm is presented to them in different ways.

First up, the bees were presented with two artificial flowers. One contained nectar, the other an unappetising bitter liquid (quinine). One flower had LED lights that flashed long pulses, the other that flashed in short bursts – a bit like the dashes and dots in Morse code. The bees quickly learned to recognise the code for the sweet reward.

Then the bees were presented with two flowers both containing water, but with the same flash patterns. Almost all the bees headed to the pattern that had previously contained the nectar.

To up the ante, the scientists then presented the bees with more complex patterns – dash-dash-dot-dot or dot-dash-dot-dash. The bees still learned which one meant a reward.

But the truly surprising result came when the flowers were replaced with a maze. At the junction between the two branches was a vibrating floor. One rhythm meant ‘turn right for sugar’ and the other meant ‘turn left for sugar’. The bees learned this easily (and I confess to also being amazed that concepts like ‘left’ and ‘right’ can be taught to a creature the size of my thumb joint). Even when the vibrating floor was replaced with LED lights that blinked in the same rhythm, the majority of bees could still make the transition and find the sugar.

Only a few animals have demonstrated the ability to be able to abstract the key components of a rhythm from one medium (flashing lights) to another (a vibrating floor) – parrots, songbirds and primates. But it makes one wonder who else might have an innate sense of musicality, if only we were curious and ‘asked’.

The New Scientist article is here.

The research article is here.

All Change for Bird Feeders!

Last time I saw a greenfinch in the garden – from 2014

Dear Readers, you may well know that Greenfinch and Chaffinch numbers in the UK have been in steady decline due to the advent of a disease called trichomonosis. A recent study by the British Trust for Ornithology (BTO), the Institute of Zoology and the RSPB has identified garden feeding stations as a source of infection, especially where large numbers of birds gather. However, it’s also recognised that gardens can be an important source of food for birds, especially during breeding season, so a number of recommendations have been made. uc

  1.  Both the RSPB and Vine House Farm (who support the BTO with sales of their mostly locally-grown bird seed) have stopped selling bird tables, which are seen as a major source of contamination. I won’t be using mine in the foreseeable future, both because of this, and because a largish animal has completely destroyed the one that I did have 🙂
  2. Change feeding spots – in the wild, food sources would come and go, so birds are used to this, and it prevents the build up of dropped food which can attract large numbers of birds
  3. Feed seasonally. Seeds and peanuts are favoured by the finches who are most impacted by trichmonosis, and they are most at risk from contracting the disease in the post-breeding season. So the advice is to provide seeds and peanuts from November to April, but to cease feeding these from May to October, and to instead provide small amounts of suet/mealworms – these will provide protein for the tits and other birds who are likely continuing  to breed, but won’t encourage post-breeding finches to gather in large numbers.
  4. Provide ‘natural’ foods such as teasel, thistle and other seed plants – these will still attract finches, but not in such close proximity or such large numbers
  5. If you or a neighbour has a pond with a shallow area where birds can drink/bathe, there is no need to provide additional water unless the water is frozen or has dried out. Where you do provide a bird bath, it should be refilled daily, and washed weekly.
  6. And of course, the usual advice about cleaning feeders weekly applies.

I know that there are broader questions about the benefits or otherwise of feeding wild birds – research on the subject is continuing to develop, and I will post here about anything that I find. This is a nuanced and emotive subject – so much depends on the location, the birds who are visiting, their numbers and what food is being provided. But I know we all want the best for our feathered friends, so let’s see how the discussion develops.

Jolene’s Last Trick

Well, Readers, on Friday Jolene went off to her forever home, but not before giving us the fright of our lives.

On Tuesday night, John (my husband) Whatsapp’d me (while I was at Sadler’s Wells, darlings) to say that he couldn’t find the cat. He’d looked everywhere. He always closed the door behind him when he went outside to put the bins out, but could only imagine that the cat had gotten out. Yikes! When I got home, he was sitting on the doorstep with a dish of food in case the miscreant returned. We put litter trays outside the back and front doors so that she could smell her way home. We looked everywhere in the house, including the cupboard under the stairs, twice. Jolene is a very chatty cat, and it was getting on for supper time, so neither of us could believe that she wouldn’t make herself known. John went for a walk around one block. I went for a walk around another, where I met any number of cats, including a very chunky tabby on Durham Road, but none of them were Jolene.

What a nightmare. I had already catastrophised about her – was she run down? Was she lost and pathetically shivering somewhere? What was I going to tell the RSPCA, not to mention the lovely people who were coming to adopt her on Friday? Eventually we both went to bed, although neither of us could sleep and lay there rigidly staring at the ceiling.

And then there was a scratching sound. We went to the cupboard under the stairs, which we had both checked several times, and Jolene bolted out like a mad creature. Why she hadn’t made herself known earlier I have no idea. She’s hardly a shrinking violet.

More to the point, how had she gotten into the cupboard? The dry cat food is stored in there, and she’d eaten herself into a near coma – she didn’t even want her Sheba for supper. And then, when I was sitting in the living room the next day, I heard a suspicious sound from the corridor.

The minx had learned to open the latch on the cupboard. What a monkey! I hope her new ‘parents’ know what they’re letting themselves in for.

Good luck Jolene! What an amazing little cat you are.

Nature’s Calendar – 10th to 14th April – Blackbirds Bicker

A series following the 72 British mini-seasons of Nature’s Calendar by Kiera Chapman, Lulah Ellender, Rowan Jaines and Rebecca Warren. 

Dear Readers, it’s interesting to write this just as the RSPB Big Garden Birdwatch results for 2026 are in – the Blackbird (Turdus merula) is at number 5, the same spot that it held last year. And yet, I haven’t seen a Blackbird in the garden for several years, and there have been a number of warnings about their susceptibility to Usutu virus, which has now spread north as far as Scotland. Advice re trying to prevent our garden birds from catching it varies, but one is to make sure birdbaths are emptied and refilled every day – it appears that the mosquito that transmits the virus is also very fond of water butts, so keep those covered too! It doesn’t appear to like ponds very much, maybe because ponds are often full of predators that will munch them up.

In her piece in ‘Nature’s Calendar’, Rowan Jaines has an interesting observation on Blackbird song. Blackbirds appear to modify their songs in response to noise: they increase the frequency and/or volume of the song, and change its length and timing. In urban environments Blackbirds tend to make their communications shorter, simpler and louder. There are two components to their songs: the ‘motif’ and the ‘twitter’. A ‘twitter’ is high-frequency but low amplitude, while a motif is low-frequency, high amplitude and more melodic. In urban environments the Blackbirds appear to increase the frequency of the motifs, but to also increase the proportion of the ’emotive’ twitter. In other words, the lyrical tones noted by W.H Hudson in his book ‘Birds and Men’ from 1901 are changing in city birds to something more urgent and serious. Hudson was ruminating on something that engineer and music scholar George Grove mentioned – that the song of the Blackbird resembles human speech in its tones, spacing, and change of pace. And I think I can hear this too…have a listen to these recordings from the Wildsong website, which I’ve only just discovered, but will definitely be exploring. The author describes them as ‘the dark star of the garden’, and I’d have to agree. Cheer yourself up, and have a listen.

 

At the National Theatre – The Dyers’ Garden, and Les Liasons Dangereuses

Dear Readers, a few months ago I read that the National Theatre was planning to create a Dyers’ garden, so that they could use the plants to dye their costumes in a sustainable way, so of course I had to have a look. It’s a rather nice space, and on this glorious day there was a young men with his shirt off reading a very serious-looking book, giving the whole place a rather louche air.

The idea at the moment is to start to build up a book of samples of naturally dyed fabrics, and they are also running dyeing workshops, yoga classes and all kinds of other things in what is a rather lovely space – have a look at the video on the link here. It also gives you an idea of how splendid the space is when it’s in full flower.

At the moment it’s a bit more subdued, but there are still some interesting plants…

Dyer’s Woad

The plant above is Woad (Isatis tinctoria), which produces the blue dye beloved of ancient Britons. I can’t help thinking about the Howard Brenton play ‘The Romans in Britain’, shown in 1980 and immediately the target of Mary Whitehouse, for its brutal scene of male rape. 

Interestingly, this plant is described as ‘alkanet’, but it’s the ‘true’ Alkanet, Anchusa officinalis, rather than the Green Alkanet that’s popping up all over at the moment. I can’t find any mention of this plant as a dye plant, though Green Alkanet is supposed to give a red dye somewhat like henna from its roots.

 

There are some lovely Pot Marigolds, whose petals give a golden dye….

….huge quantities of fennel  (which as anyone will tell you has a bit of a mind of its own….)

 

…and plenty of rosemary too!

All in all this is a lovely, little-used spot for a sandwich or a break. The National Theatre is a bit of a maze, but if you keep walking upstairs you’ll find the doors to it just below where the Olivier circle starts.

And while we’re at it, I was at the National to see ‘Les Liasons Dangereuses’ with Lesley Manville and Aldan Turner. What a deliciously nasty piece of work this is: the cruelty is very much the point. Who can forget John Malkovich and Glenn Close in the film, along with Michelle Pfeiffer and Uma Thurman? But this play ran for three hours, and had rather a lot of dancing. Dancing is cool, but it’s the relationships between the protagonists that is the point here, and there is a tauter, more menacing two hour play in here bursting to get off. Manville and Turner are both excellent, but the supporting actors weren’t quite as convincing. Never mind. The ladies sitting next to me loved the dancing and costumes, so maybe I’m just being a curmudgeon, as usual.

Some of the aforementioned dancing

 

Thursday Poem – ‘and a tree’ by Kate Wakeling

Photo by Mike Segal

Dear Readers, I managed to publish this by mistake yesterday, apologies to anyone  who is now even more confused about what day of the week it is than they were before 🙂

I wasn’t sure about this poem, but the more I sat with it, the more I liked it. Especially the last few lines. See what you think. The poem was commissioned for the 2022 Trafalgar Square Christmas tree celebrations. Wakeling is also a librettist, and I can imagine this set to music.

and a tree
by Kate Wakeling

and a tree is a promise
safe-kept by a seed,
and a tree is a dance
that is swung by the breeze,

and a tree is an engine
spinning only on air
and water and light;
nothing lost, nothing spare,

and a tree is a king
who is topped with a crown,
(and a tree never once
loses touch with the ground)

and a tree is a home
with numberless doors,
and a tree is a world
for an ant to explore,

and a tree is a gift
(for a tree is a lung)
and a tree is a song
that is whispered and sung
by the bees and the birds,
and in rustles and creaks,
yes, a tree is a song
that is sung without words,

and a tree is a lesson
in the meaning of roots,
and how out of the mud
swell the sweetest of fruits,

and a tree is a story
of hope and repair,
or perhaps more a question;
a wish or a prayer,
for a tree (plus a tree)
shows us how we might share,

and when we should grow
and when we should sleep
and what we could lose

and what we must keep.

Demolishing the Shed….

Dear Readers,  if you look very carefully through the undergrowth to the left of the photo above, you’ll see the corner of our soon-to-be-defunct garden shed. It has served us faithfully for fifteen years, and was probably here for several years before that, but alas, wind  and a bunch of garden mammals have put paid to it as a safe building. In spite of having the roofing replaced twice, it still leaked, and when it managed to short out half of the house a few weeks ago we realised it was becoming the proverbial death trap.

In addition, all manner of woodland  creatures (squirrels/foxes/mice) had gained entrance via the side panels, as you can see. Bless.

And so, as we speak, no less than four burly chaps are dismantling the shed, before it’s replaced by a new one, hopefully with a sounder roof and less easy access for the critters, love them though I do. It’s all a bit disruptive and noisy and there’s lots of coffee to be made, but it will be worth it in the end. Watch this space!

The Best Time for the Dawn Chorus…..

Sunrise in Coldfall Wood, spring 2020

Dear Readers, my lovely friend L is recovering from a hip replacement, but found time on Monday to pop out to Coldfall Wood to listen to the dawn chorus. As she so rightly points out, although the chorus may get a bit louder over the next few weeks, sunrise will also get earlier, meaning you’ll need to spring out of bed not long after 4 a.m. by mid June. So, if you want to catch this annual symphony, now is a good time – the recordings below were taken between 6 a.m. and 6.20 a.m. L was trying to avoid recording planes as well, but alas, we’re on the Heathrow flight path. Still, listen and enjoy!