
Common Centaury (Centaurium erythraea)
Dear Readers, you might remember that a few weeks ago I was at Tyttenhanger Gravel Pits with my friend L, and came across this very attractive little pink plant. This is what it actually looks like when the sun is out:

By יורם שורק – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=79723426
Centauries are members of the Gentian family, and in the UK many of them are vanishingly rare or local, so this is the one that you’re most likely to see. It seems to have two variants, one with quite long stems, and one, most often found at the coast, that grows very close to the ground (probably a result of the sea breezes). It’s a very pretty plant, and one that I’d never encountered before: it likes sparsely-vegetated grassland, heath, clifftops etc, which is a rare habitat in East Finchley!

Photo by By Ludwik Polak – https://atlas.roslin.pl/plant/6646, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=93087080
Common Centaury was used by herbalists to control fevers: it has a variety of common names, including bitter herb, feverwort and Christ’s ladder. Suggested ways of using the herb include making a tincture, or making tea from the dried flowers. It’s also believed to support recovery from gastrointestinal disorders, and to help stimulate appetite. However, it tastes extremely bitter: Culpeper described it as ‘very wholesome, but not very toothsome‘, which I suspect is an understatement.
But why Centaury? The herb was believed to have been used to heal the centaur Chiron after he was wounded accidentally with an arrow from his pupil, Hercules. Chiron was himself a gifted healer, who had taught his medicinal skills not only to Hercules, but also to Achilles, and to various kings and princes. Alas, although the Common Centaury healed Chiron’s wound it didn’t take away the pain, and although Chiron had been granted immortality he gave it up in order to die and put an end to his suffering. He’s remembered in the constellation Centaurus which contains our closest star (after the Sun) Alpha Centauri.

Constellation Centaurus by By Till Credner – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=22441658
Common Centaury also has a variety of magical uses. According to the 1619 translation of a French herbal, all those who mix plover’s blood with centaury, pop the potion into an oil lamp and inhale the fumes,
“Shall believe themselves to be witches, so that one shall believe of another that his head is in heaven and his feet on earth”
Leave those plovers alone, I say.
The plant can also be used to dissuade the ‘Wykked Sperytis’ from interfering with your life, something we could all do with at the moment.
The bitter taste of Common Centaury has been used to flavour various vermouths and non-alcoholic bitters, especially in mainland Europe (the plant is found throughout Europe, North Africa and western Asia). I suspect that its bitter flavour helps to stimulate both saliva and gastric juices, hence its efficacy in encouraging appetite.
And of course, there’s a poem….I rather like this one, by American poet May Swenson (1913 – 1989) who was the eldest of ten children in a Mormon household. I imagine that getting away to the woods and riding a ‘horse’ was a way of being alone and of starting to sort out the messy feelings of late childhood. See what you think.
The Centaur by May Swenson
The summer that I was ten–
Can it be there was only one
summer that I was ten? It must
have been a long one then–
each day I’d go out to choose
a fresh horse from my stable
which was a willow grove
down by the old canal.
I’d go on my two bare feet.
But when, with my brother’s jack-knife,
I had cut me a long limber horse
with a good thick knob for a head,
and peeled him slick and clean
except a few leaves for the tail,
and cinched my brother’s belt
around his head for a rein,
I’d straddle and canter him fast
up the grass bank to the path,
trot along in the lovely dust
that talcumed over his hoofs,
hiding my toes, and turning
his feet to swift half-moons.
The willow knob with the strap
jouncing between my thighs
was the pommel and yet the poll
of my nickering pony’s head.
My head and my neck were mine,
yet they were shaped like a horse.
My hair flopped to the side
like the mane of a horse in the wind.
My forelock swung in my eyes,
my neck arched and I snorted.
I shied and skittered and reared,
stopped and raised my knees,
pawed at the ground and quivered.
My teeth bared as we wheeled
and swished through the dust again.
I was the horse and the rider,
and the leather I slapped to his rump
spanked my own behind.
Doubled, my two hoofs beat
a gallop along the bank,
the wind twanged in my mane,
my mouth squared to the bit.
And yet I sat on my steed
quiet, negligent riding,
my toes standing the stirrups,
my thighs hugging his ribs.
At a walk we drew up to the porch.
I tethered him to a paling.
Dismounting, I smoothed my skirt
and entered the dusky hall.
My feet on the clean linoleum
left ghostly toes in the hall.
Where have you been? said my mother.
Been riding, I said from the sink,
and filled me a glass of water.
What’s that in your pocket? she said.
Just my knife. It weighted my pocket
and stretched my dress awry.
Go tie back your hair, said my mother,
and Why is your mouth all green?
Rob Roy, he pulled some clover
as we crossed the field, I told her.

Centaur mosaic from Orange, France, 2nd century BCE



























