Dear Readers, there are a number of poems that I love, but which raise more questions than answers. I read them, I feel the truth of them, but the meaning is hard to pin down. Maybe that’s the beauty of poetry – it opens a space in our hearts and minds to let the mystery in. Anyhow, here are a few of my favourites. Let’s see what you think!
Thanks
By W. S. Merwin
Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you
with the animals dying around us
taking our feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
thank you we are saying and waving
dark though it is
Merwin was an American poet who won nearly every poetry award going, and who was Poet Laureate twice. He was a practicing Buddhist and a deep ecologist – he bought an abandoned pineapple plantation in 1970 and gradually restored it to its original rainforest state. When he died in 2019, Guardian critic Jay Parini described his mature style as
“his own kind of free verse, [where] he layered image upon bright image, allowing the lines to hang in space, largely without punctuation, without rhymes … with a kind of graceful urgency.”
In ‘Thanks’, a lot is left unanswered – who or what are we giving thanks to? And why, when things are so terrible? And yet, it feels true to me. For a Buddhist, simply being born into the human realm is an unfathomable blessing – as a human you can accumulate good karma, in a way that an animal, or a demon, or a hungry ghost is not able to. But I think the poem goes beyond any particular faith or belief system. Let me know what you think, Readers!
Another favourite is Theodore Roethke (1908-1963). The poem below won the Pulitzer Prize in 1954. Roethke suffered from manic depression and was an alcoholic, and there’s something of that confusion and uncertainty in his most famous poem, ‘The Waking’, below. Just as with Merwin’s poem, I can’t nail down the meaning, but I still see the truth in it. See what you think.
The Waking
Theodore Roethke
1908 – 1963
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
And finally, this poem, by Derek Mahon. It’s a lot more concrete than the other two, but still it opens a crack in my mind somehow. See how he takes us along to that last verse! What a poem.
A Disused Shed in County Wexford (1975) by Derek Mahon
“Let them not forget us, the weak souls among the asphodels. SEFERIS, Mythitorema”
for J.G. Farrell
Even now there are places where a thought might grow —
Peruvian mines, worked out and abandoned
To a slow clock of condensation,
An echo trapped forever, and a flutter
Of wildflowers in the lift-shaft,
Indian compounds where the wind dances
And a door bangs with diminished confidence,
Lime crevices behind rippling rainbarrels,
Dog corners for bone burials;
And in a disused shed in Co. Wexford,
Deep in the grounds of a burnt-out hotel,
Among the bathtubs and the washbasins
A thousand mushrooms crowd to a keyhole.
This is the one star in their firmament
Or frames a star within a star.
What should they do there but desire?
So many days beyond the rhododendrons
With the world waltzing in its bowl of cloud,
They have learnt patience and silence
Listening to the rooks querulous in the high wood.
They have been waiting for us in a foetor
Of vegetable sweat since civil war days,
Since the gravel-crunching, interminable departure
of the expropriated mycologist.
He never came back, and light since then
Is a keyhole rusting gently after rain.
Spiders have spun, flies dusted to mildew
And once a day, perhaps, they have heard something —
A trickle of masonry, a shout from the blue
Or a lorry changing gear at the end of the lane.
There have been deaths, the pale flesh flaking
Into the earth that nourished it;
And nightmares, born of these and the grim
Dominion of stale air and rank moisture.
Those nearest the door growing strong —
‘Elbow room! Elbow room!’
The rest, dim in a twilight of crumbling
Utensils and broken flower-pots, groaning
For their deliverance, have been so long
Expectant that there is left only the posture.
A half century, without visitors, in the dark —
Poor preparation for the cracking lock
And creak of hinges; magi, moonmen,
Powdery prisoners of the old regime,
Web-throated, stalked like triffids, racked by drought
And insomnia, only the ghost of a scream
At the flash-bulb firing-squad we wake them with
Shows there is life yet in their feverish forms.
Grown beyond nature now, soft food for worms,
They lift frail heads in gravity and good faith.
They are begging us, you see, in their wordless way,
To do something, to speak on their behalf
Or at least not to close the door again.
Lost people of Treblinka and Pompeii!
‘Save us, save us,’ they seem to say,
‘Let the god not abandon us
Who have come so far in darkness and in pain.
We too had our lives to live.
You with your light meter and relaxed itinerary,
Let not our naive labours have been in vain!’
So, over to you, Readers. What do you think? What do you love? Do share!
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