
Dear Readers, I bought this book while I was in Canada, because I’ve always been interested in how and why we decide what it’s acceptable to enjoy, and how far we are able to separate the artist from the work. This is particularly current when someone was recently arrested for attacking the Eric Gill sculpture outside the BBC with a chisel only last week – Gill, who was instrumental in the design of the typeface for the London Underground, and who was lauded for his artistic works, is also notorious for his sexual abuse of his daughters, and his dog. Dederer doesn’t actually discuss Gill, but she does talk about some of our more recent ‘monsters’ – Michael Jackson, Roman Polanski, Miles Davies etc.
In The Guardian, Rachel Cooke gave the book a truly terrible review, while Kathryn Hughes kind of liked it. And so, as you might expect, the book turns out to be just as polarising as the question. ‘Should’ we still enjoy the paintings of Picasso, even though he was a serial abuser of women? ‘Should’ we still enjoy the music of Miles Davies, who openly discussed slapping women around? How far does the ‘stain’ of knowing about an artist’s life contaminate the things that they created?
Well it’s a vexed subject and there are no easy answers. One point that is well-made, though, is that this, like so many things, has been turned into an individual decision. If we refuse to listen to the music of Michael Jackson, who are we benefitting (apart from making ourselves feel good?) And how about the fact that Jackson was probably a victim of child abuse himself? We get ourselves tied up in knots, and I can’t help thinking that, compared to the problems that the world is facing, worrying about such things is a luxury. Just imagine if we took all that energy and argument and turned it towards actually changing things that are wrong.
The ‘monsters’ in Dederer’s book are overwhelmingly men, but she has some interesting things to say about what makes a woman artist a ‘monster’. Largely this involves abandoning their children – Doris Lessing took one of her children with her when she left what was then Rhodesia, but left the other two behind. For me, the difference between what Lessing does, and what the male ‘monsters’ do is that Lessing left in order to do her artistic work. I’m not sure that beating up your partner adds anything to your ability to make jazz, or that abusing children makes you a better sculptor. We seem to cut male artists more slack when it comes to terrible behaviour, which comes as no big surprise to me.
Ach, I don’t know. I don’t think that there are any easy answers about what we should and shouldn’t like, and how far we should stop enjoying the art of those who are execrable human beings. The paradox of seeing that something is beautiful, and moving, and true, and that the person who created it is a terrible human being, is one that I don’t think that anyone has ultimately cracked. But I would love to know what you think, Readers. Is there something that you no longer feel comfortable about enjoying, now that you know about the artist’s life? Or are you able to separate the two?
I should say that I found Dederer’s book thought-provoking, frustrating and a little confusing, but then that’s pretty much what the whole subject is like.












![Note the notched petals and the stigma, which are ways of identifying the plant (By Frank Vincentz (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons)](https://i0.wp.com/bugwomanlondon.com/wp-content/uploads/2015/06/epilobium_montanum_02_ies.jpg?resize=625%2C547&ssl=1)

![Small Phoenix (Ecliptopera silaceata) (By Donald Hobern from Copenhagen, Denmark (Ecliptopera silaceata) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons)](https://i0.wp.com/bugwomanlondon.com/wp-content/uploads/2015/06/ecliptopera_silaceata_8813674641.jpg?resize=625%2C469&ssl=1)


![Seeds of Broad-leaved Willowherb just waiting to emerge (By Frank Vincentz (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons)](https://i0.wp.com/bugwomanlondon.com/wp-content/uploads/2015/06/epilobium_montanum_01_ies.jpg?resize=625%2C547&ssl=1)
Dear Readers, it’s been a hot, humid day, followed by a thunderstorm, followed by some more of the hot, humid stuff. I’m back at work after my exams and my inbox is hilarious. I used to start reading my emails from the oldest ones, but after many years I’ve learned that the best way to do it is actually to start with the most recent, because it’s surprising how many of them have been sorted out by the time you get to the end of the thread. Still, it’s strange to be back, and I still feel a bit disoriented.











