Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Dear Readers, it has been snowing a blizzard here in East Finchley today (and for more on this, and some unexpected visitors, have a look at the blog on Saturday). So, I am looking through my photos for a Wednesday Weed, and realise that this evergreen New Zealand native has not yet been featured. There is a magnificent bush in the front garden of one of the houses at the end of my road, and I would estimate that it’s in flower for ten months of the year. It is a boon to early-rising bumblebee queens, hoverflies and honeybees, and even on a warm November day there will be insects buzzing about.

In Greek mythology, Hebe was the goddess of youth, and Canova made a rather fine marble statue of her, which is currently in the Hermitage Museum. Hebe dispensed the ambrosia of eternal youth to the gods, hence the jug and cup, and I wonder if the nectar-rich flowers of the plant inspired the name. Why the woman in the statue is  carrying a jug up by her ear, and why she seems to have forgotten her blouse I will leave for you to judge. Hebe was the daughter of Zeus and Hera, and in some legends Hera became pregnant after eating a wild lettuce sandwich, so take care when feasting on any unidentified brassicas, ladies. Later, Hebe became the wife of Hercules after he had defeated Geras, the personification of old age, and become an immortal god himself. These ideas about being ‘forever young’ have a long pedigree. Personally I think that youth, while lovely at the time, is somewhat overrated – give me wisdom and experience any time.

Hebe is also often shown with an eagle, which, in the way of the Classical gods, is the form taken by her father Zeus.

There are between 90-100 species of Hebe,(which is a member of the Veronica family) and all of them (except one which lives only on the island of Rapa Nui) can be found in New Zealand, which has  unique and fascinating floral, invertebrate and bird populations. The Hebes vary from trees up to 7 metres tall to little sprawling shrubs, and they can be found everywhere from alpine to coastal regions. On islands, sometimes a particular group of organisms will proliferate, taking advantages of niches that are normally taken by very different kinds of species: think of the varied lemurs of Madagascar, for example. Hebes have taken advantage of their geographical isolation, and now gardeners are taking advantage too. They come in shades of white, blue and purple, all excellent colours for attracting pollinating insects.

Hebes are resilient souls: they are resistant to salt-laden sea breezes, and so are sometimes planted as hedges in the coastal regions of the south-west of England and Australia. However ,the larger plants are only half-hardy, and won’t survive prolonged freezing. On the other hand, I have several in pots in my garden that have shrugged off a few sub-zero nights, so it may depend on how exposed they are.

As you might expect, a plant that is so varied and wide-spread has many uses in its native country. In New Zealand Hebe stricta is known as Koromiko and the unopened leaves and buds were chewed as a cure for dysentery by the Maori people. Dried leaves were apparently sent to New Zealand soldiers during both World Wars as a cure for stomach problems. The plant is said to contain a chemical that reduces peristalsis: this would combat the water loss that is the real killer in diseases such as cholera and dysentery. However, as diarrhoea is the body’s way of ridding itself of the toxins created by the bacteria, the use of the plant would need to be coupled with something that would attack the problem at source. I’m always slightly alarmed when people use drugs such as Immodium as a ‘cure’ for diarrhoea, when what they do is stop the need to go to the toilet without tackling the bugs that are causing the problem in the first place. I remember someone taking them like sweeties on one of my more exotic trips, and being unable  to go to the toilet for a week as a result, so be warned…

There is a rather lovely children’s song in the Maori language called ‘Koromiko’, which you can hear here. The lyrics in English are as follows:

Koromiko, Karaka, Tī Kouka
The trees of the forest
Tarata, Ngaio, Tōtara
The trees of the forest

Look at the flowers
Look at the leaves
This one is different from that one
They all differ, they all differ.

The Karaka is the New Zealand Laurel tree, and is endemic to that country. The Ti Kouka is the cabbage tree or cordyline, a popular pot plant in the UK. The Tarata is the lemonwood (Pittosporum eugenioides) and a very fine plant it is too.

The Ngaio is also called the mousehole tree (Myoporum laetum) and the New Zealand writer Ngaio Marsh was named for the plant.

And, finally, the Totara is a magnificent tree that grows only in New Zealand.

All this has made me very eager to pack a bag and head for the Antipodes. What a magnificent and varied flora.

It occurs to me that  I’ve had Hebes in my garden for years without knowing about their cultural importance in New Zealand (or indeed that they even came from that country). Our gardens can be such rich sources of interest and wonder. My patch is a veritable United Nations of plants, all getting along and providing nectar and food for my invertebrate and ornithological visitors. If only all humans could be as good natured and useful.

But, back to the Hebe.

I have not been able to find any culinary uses for Hebe, but there is a variety called ‘Rhubarb and Custard’, so that will have to do for now.

And to round up the post today, I present to you a poem that fairly drips homesickness. The poet, Dora Wilcox, was born in Christchurch, New Zealand, but spent the years leading up to and including the First World War in London, where she obviously didn’t feel at home. Later, she lived in Sydney Australia. Wilcox died in 1953, having won an award for a poem commemorating the opening of the Commonwealth Parliament in 1927. While it is undoubtedly not the best poem I have ever featured here (I find it rather mannered and in need of a good editor), it does have a sense of poignant yearning that I find rather appealing. See what you think.

In London

When I look out on London’s teeming streets,
On grim grey houses, and on leaden skies,
My courage fails me, and my heart grows sick,
And I remember that fair heritage
Barter’d by me for what your London gives.
This is not Nature’s city: I am kin
To whatsoever is of free and wild,
And here I pine between these narrow walls,
And London’s smoke hides all the stars from me,
Light from mine eyes, and Heaven from my heart.

For in an island of those Southern seas
That lie behind me, guarded by the Cross
That looks all night from out our splendid skies,
I know a valley opening to the East.
There, hour by hour, the lazy tide creeps in
Upon the sands I shall not pace again —
Save in a dream, — and, hour by hour, the tide
Creeps lazily out, and I behold it not,
Nor the young moon slow sinking to her rest
Behind the hills; nor yet the dead white trees
Glimmering in the starlight: they are ghosts
Of what has been, and shall be never more.
No, never more!

Nor shall I hear again
The wind that rises at the dead of night
Suddenly, and sweeps inward from the sea,
Rustling the tussock, nor the wekas’ wail
Echoing at evening from the tawny hills.
In that deserted garden that I lov’d
Day after day, my flowers drop unseen;
And as your Summer slips away in tears,
Spring wakes our lovely Lady of the Bush,
The Kowhai, and she hastes to wrap herself
All in a mantle wrought of living gold;
Then come the birds, who are her worshippers,
To hover round her; tuis swift of wing,
And bell-birds flashing sudden in the sun,
Carolling: Ah! what English nightingale,
Heard in the stillness of a summer eve,
From out the shadow of historic elms,
Sings sweeter than our Bell-bird of the Bush?
And Spring is here: now the Veronica,
Our Koromiko, whitens on the cliff,
The honey-sweet Manuka buds, and bursts
In bloom, and the divine Convolvulus,
Most fair and frail of all our forest flowers,
Stars every covert, running riotous.
O quiet valley, opening to the East,
How far from this thy peacefulness am I!
Ah me, how far! and far this stream of Life
From thy clear creek fast falling to the sea!

Yet let me not lament that these things are
In that lov’d country I shall see no more;
All that has been is mine inviolate,
Lock’d in the secret book of memory.
And though I change, my valley knows no change.
And when I look on London’s teeming streets,
On grim grey houses, and on leaden skies,
When speech seems but the babble of a crowd,
And music fails me, and my lamp of life
Burns low, and Art, my mistress, turns from me, —
Then do I pass beyond the Gate of Dreams
Into my kingdom, walking unconstrained
By ways familiar under Southern skies;
Nor unaccompanied; the dear dumb things
I lov’d once, have their immortality.
There too is all fulfilment of desire:
In this the valley of my Paradise
I find again lost ideals, dreams too fair
For lasting; there I meet once more mine own
Whom Death has stolen, or Life estranged from me, —
And thither, with the coming of the dark,
Thou comest, and the night is full of stars.

Dora Wilcox (1873-1953)

Photo Credits

Photo One (Hebe albicans) by By Alan Pascoe – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=881878

Photo Two by By Kurt Stüber [1] [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons

Photo Three by https://plantgrowers.blob.core.windows.net/files/Garden/lbi-h-hedge-withan-edge-003.jpg

Photo Four (Tarata) by By Rudolph89 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15773056

Photo Five (Ngaio flower) by By Avenue – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=13534790

Photo Six (Rhubarb and Custard) by https://www.rhs.org.uk/Plants/320219/Hebe-Rhubarb-and-Custard/

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Dear Readers, this week I was delighted to spot this red-hot poker growing in a garden in Muswell Hill, and looking about as exotic as any plant has a right to do. I love the way that the orange colour complements the red brick wall of the rather splendid house behind it, and the way that the flowers were beaded with rain didn’t hurt either.

In its native South Africa, this plant is known as torch lily, and the flowerheads can reach up to five feet in height.Red-coloured flowers are often bird-pollinated, and in South Africa sunbirds are common visitors, but in the UK bumblebees also love the long trumpet-shaped flowers.

The Table Mountain Beauty butterfly (Aeropetes tulbaghia) also pollinates the flower, particularly in the Fynbos region of South Africa, and is unusual in preferring red flowers over the usual paler blooms. In his lovely blog ‘The Fynbos Guy’, the author mentions that wearing a red shirt will result in you being ‘buzzed’ by these beautiful insects.

The plant has been introduced all over the world: in the New World, orioles and hummingbirds have taken a shine to it, and in Australia it has become something of an environmental hazard to the native wild plants. It is clump-forming and vigorous, and I can imagine how it could easily dominate in a fragile habitat.

Red-hot pokers belong to the subfamily Asphodeloideae , which includes such plants as aloes and asphodels. There has been much debate about where exactly the plant belongs, however, and it is something of a puzzle. It certainly doesn’t share much of a superficial resemblance to its close relatives: it’s not a succulent, like the aloes, and it doesn’t have the flowers of the asphodels. What defines the subfamily is a chemical compound called anthraquinone, which is used in laxatives and in batteries. I suspect you’d have to be very careful to make sure you were taking the correct version of the compound.

As you would expect for such a stunning plant, there are many cultivated varieties, in a range of colours. However, it’s the gradation of colour that gives the plant its common name, pale yellow at the bottom through to peachy-red at the top. The other colours don’t have the same effect, pretty as they are. I suspect that they may not have the same hardiness either: we’ve had snow and sub-zero temperatures for several days here in London, but the Muswell Hill plant is still going strong. Once established, red-hot pokers have a reputation as being tough plants to kill, but an article in The Telegraph suggests that although Kniphofia was popular before the Second World War, many interesting varieties of red-hot poker were  destroyed during the Dig For Victory campaign, when people dug up their flower gardens to grow food. It’s interesting to see that it is now back ‘in fashion’.

By the way, the tricky Latin name Kniphofia is pronounced ‘Nee-FOF-ee-a’ and is named after Johann Hieronymous Kniphof, an 18th century German physicist and botanist.

In South Africa the nectar-filled blooms are sometimes eaten by humans, and are said to taste like honey.

Medicinally, the flowers of some Kniphofia species have been used to repel snakes and an infusion of the roots has been used to treat chest disorders. In Zimbabwe the powdered roots of Kniphofia are mixed with food to treat infertility in women.

In Lesotho, the plant was considered to be a charm against lightning, and was therefore grown close to habitation. However, in the UK at least one person believes that they are unlucky according to the Plant Lore website, and according to Plant Lives, it’s believed that if red-hot poker flowers in the autumn it means a death in the family. Then again, my Mum believes that green is an unlucky colour, and my Nan believed that putting new shoes on the table would bring misfortune, so I guess there’s always something.

It strikes me that superstitions grow from our fundamental need to explain either bad luck (in order to prevent it from happening again) or good luck (to make sure we get more of it). But this behaviour is not limited to humans. In some of his experiments, the behaviourist B.F Skinner provided pigeons with food that dropped out of a container at purely random intervals. He noted that the pigeons would repeat the behaviour that occurred when the food arrived in an attempt to get more. So, if a bird happened to be preening when a pellet dropped, it would preen obsessively to see if it could generate more food. Many other species of animal, from pigs to dogs to poor imprisoned primates, demonstrate the same tendencies. I wonder if this is the root of all religion: the need to find a reason for our mixed fortunes in a volatile, uncertain world.

But, as usual, I digress.

Now, as you know I like to finish my pieces with an artwork, or a poem, or preferably both, and this week my search has led me back to Les Murray (I featured his poem ‘The Cows on Killing Day’ in my piece on lucerne a few months ago). What a remarkable poet he is! As you know, I don’t cut and paste the complete poems of living authors, but here is a taste of ‘The Cowladder Stanzas’ from ‘New Selected Poems’. For the rest of it, you (and I ) will need to buy the book.

The Cowladder Stanzas

Not from a weather direction

black cockatoos come crying over

as unflapping as Bleriot monoplanes

to crash in pine tops for the cones.

 

Young dogs, neighbours’ dogs

across the creek, bark, chained

off the cows, choked off play, bark

untiring as a nightsick baby, yap

milking times to dark, plead

ute-dancing dope-eye dogs.

 

Red-hot pokers up and out

of their tussock. Kniphofia flowers

overlapping many scarlet jubes

form rockets on a stick.

Ignition’s mimed by yellow petticoats.

 

Like all its kind

Python has a hare lip

through which it aims its tongue

at eye-bursting Hare.

And if this hasn’t whetted your appetite for more of this precise, explosive poetry, nothing will.

Photo Credits

Photo One by  Alandmanson (Own work) [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons

Photo Two by The Fymbos Guy at http://thefynbosguy.com/summer-time-table-mountain-beauty/

Photo Three by By Mork the delayer at en.wikipedia – Transferred from en.wikipedia to Commons by User:Kelly using CommonsHelper., Attribution, https://commons.wikimedia.org/w/index.php?curid=16044760

 

 

 

 

 

 

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Dear Readers, as I walked home  through Muswell Hill on a cold Sunday morning, I was surprised to hear the sound of buzzing, and to see not one but three bumblebees feeding from these sputnik-shaped flowers. Japanese aralia is an exotic, but as more and more bumblebee nests are surviving the winter it has become a valuable source of nectar and pollen. A  glance at the flowers put me in mind of ivy, which is not surprising as both are members of the Araliaceae family, and there is at least one hybrid between  this plant and an ivy.

The genus name ‘Fatsia’ comes from an old Japanese word for ‘eight’, and if you look at the leaves you’ll see that they usually have eight ‘fingers’ (though they can have seven, or nine). As you might guess from this, the plant is native to southern Japan and South Korea. The Japanese name for the plant is ‘Yatsude’, meaning ‘eight-hand’. Whatever the number of lobes, the leaves are evergreen, shiny, and rather attractive. However, as you can see in the photo below, even evergreens may have an ‘autumn’, when older leaves turn yellow and drop off – I have a viburnum in a pot which did this this year, to my horror. However, it’s now doing well, so I can breathe again.

Japanese aralia is a great plant for shady conditions and heavy soils, and so it should be a shoo-in for my north-facing, claggy-soiled garden, if only I had a bit more room. However, I have a very dark side-return which is currently home to potted camellias, a daphne and a climbing hydrangea, so maybe I will find a spot for one here (they’re hardy down to -14 degrees, so hopefully that should be ok). I am somewhat tempted by this new variety, though in my experience you’re often better off with the old faithfuls.

I absolutely see the point of raising native flowers in some habitats: I have friends in the US and in Australia who do this, and I think that there’s a real need to support wildlife by growing the plants that evolved with them to be the perfect source of food and shelter. In London, though, there are already so many foreign species that I think it’s a case of deciding which will benefit creatures such as pollinators when no native plants are in flower, or available as food for larvae. For example, winter-flowering plants such as Mahonia and Fatsia fill a feeding gap for over-wintering bumblebee queens and for the nests that survive these days.

Although Japanese aralia is sometimes known as the castor-oil plant, it is not related to the actual castor-oil plant (Ricinus communis), although the leaves are similar. This is important for several reasons, particularly because the ‘true’ castor-oil plant is extremely poisonous. You will sometimes find Fatsia japonica labelled as ‘false castor-oil plant’, to add to the confusion. This is why Latin names are so important -at least we all know that we’re talking about the same thing.

In Japan, the shoots of Fatsia japonica are harvested and used as a vegetable, and very tasty they look too…

Japanese aralia has been used as an anti-inflammatory in Japan and Taiwan, and hence in the treatment of such conditions as osteoarthritis and rheumatism. In folklore those huge eight-pointed hand-shaped leaves were thought to repel devils, and the plant was grown on the north side of the house from whence these enemies were thought to come (though as this is presumably also the coldest side it seems like a bit of a risk for the plant.).

Dear Readers, last week I described how the ginkgo trees in Japan were among the few to survive the bombings of Hiroshima and Nagasaki, and today I found this photo essay on the effects of those bombs. And here is a photo of the shadow of Fatsia japonica leaves left on a telegraph pole following the flash from the bomb at Hiroshima. What happened to the plant eventually is not recorded. At a time when the idea of nuclear war, so long considered unthinkable, has become a ‘viable option’ for some leaders of the Free World, it’s as well to stop to consider what it really means. Some of the other photos in the essay show exactly what happens when you drop a nuclear device on other human beings.

And, following the disaster at Fukoshima, Japanese poets have also been concerned with the effects of the radiation released by natural forces. In the collection ‘Reverberations from Fukushima: 50 Japanese Poets Speak Out’, Setsuko Okubu, who lived in Fukushima, considers the effect of this devastating event on her home:

In “To My Home,” Setsuko Okubo affirms, “Our prime blessing is brought by the soil..inherited and guarded.” In the first and last stanzas, the repetition of the names of wild plants they used to gather serves as a litany.

To My Home

Butterbur sprouts, five-leaf aralia, fatsia sprouts, bracken, and parsley.
When the mountains are ready
for the sprouting of plants,
the rice fields are dug, and the fields are cultivated,
calves are born,
horses are pastured,
and chickens lay eggs.
It’s a season full of life.
In the fall
Ears of rice rustle.
The smell of rice heralds the harvest.

. . . . . . . . . . .

Then, “In a twinkle it vanished../ life-taking radiation —/ contaminated my home”

We had to slaughter the cows that we had tenderly watched over.
We abandoned our racehorses that we had raised with the utmost care,
left our houses, fields, and livestock, and evacuated.
We drift from shelter to shelter as refugees.

. . . . . . . . . . .

Spring has rolled around again.
Butterbur sprouts, five-leaf aralia, fatsia sprouts, bracken, and parsley.
They are waiting to be picked
on the desolate land.

My heart goes out to people everywhere who have to leave everything that they know and leave their homes, whether through natural disaster or war, drought or famine. It sometimes seems as if the whole world is on the move, and this will only increase as climate change makes areas uninhabitable. Building walls against others is no solution. We need to learn to live with people who are different from us, and we need to learn fast. We have always been the adaptable ape, and I hope this will stand us in good stead in the future, though some days I despair. But not today, because the bees are feeding on the Japanese aralia, and will go home with full stomachs to survive another day.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Dear Readers, my visit to East Finchley cemetery last week was the gift that just keeps on giving. I felt that this venerable tree deserved more than a few lines in a longer piece, and so this week I want to look at the ginkgo, a popular street and cemetery tree here in North London, and yet one which I have often hurried past. Before anyone gets over-excited, this is quite clearly not a ‘weed’ by any normal definition, but have you ever tried finding a ‘weed’ in mid-November which, after nearly four years of weekly posts, hasn’t been covered? Flexibility will be required from hereon in, I suspect.

Gingko is immediately identifiable from its leaves. No other living tree has fan-shaped foliage, but fossilised ginkgo leaves have been found from 270 million years ago. The tree existed at the same time as mare’s tail, which was a Wednesday Weed a few weeks ago, but, unlike that plant, poor ginkgo really is the last of its kind. There is nothing else alive that is remotely like it.

Once I spotted one ginkgo, I found them everywhere: at the end of Archway Road, in St Pancras and Islington Cemetery, and on Durham Road. But they are, in some ways, problematic. Ginkgo trees have separate sexes ( the technical term is dioecious), but each sex has some disadvantages as a street tree. The female trees produce a fruit which looks a little like an apricot (the name ‘ginkgo’ is said to come from a misspelling of the Japanese name for the plant, which means ‘silver apricot’) but if this falls and starts to rot, it is said to produce a smell that combines the odour of vomit with the stench of rancid butter. The pollen of the male trees, which naturally produce no fruit, is highly allergenic, and so not good for hay fever sufferers. Nonetheless, the tree is beautiful enough for groundskeepers everywhere to keep planting it.

Incidentally, among its many peculiarities is the fact that the male ginkgo produces sperm which is covered in tiny mobile hairs that enable it to move. In this, ginkgo is similar to mosses and algae, but completely different from flowering plants. It has several adaptations to a time before these competitors came along: for example, it grows very quickly to a  height of about 10 meters before extending any side shoots, which was probably because most plants at this time were ferns and horsetails, and so the need was to get as high as possible as quickly as possible, and then to shade out everybody else.

Not only is the ginkgo a very ancient species, but individual trees are both resilient and long-lived. Six ginkgos which were within 2 kms of the epicentre of the Hiroshima atomic bomb blast survived, and are given the honorable name of ‘hibakujumoku’, or ‘survivor trees’.

At the Tsurugaoka Hachimangu Shinto shrine in Japan a giant ginkgo which had stood beside the staircase since the creation of the building in 1063 finally collapsed in 2010. A botanist who examined it declared that the trunk had rotted. It was thought that that was the end, until both the original tree stump and a piece of the tree planted nearby started to produce a fine crop of new leaves.

If you go into any chemist, you are likely to see herbal preparations with pictures of that distinctive fan-shaped leaf on the box. It is often marketed as a way of delaying the effects of old age, perhaps because the tree itself is so sprightly, and we hope to acquire some of its characteristics. It is said to be beneficial for macular degeneration, dementia, forgetfulness generally, ‘post-menopausal cognitive decline’ ( I guess that’s when I start a sentence and have no idea what I meant to say by the time I get to the end), post-stroke recovery, arterial disease and tinnitus. Oh that it did half of what it says on the packet, but sadly scientific trials have all currently drawn a blank. There is also some fear that if you are taking a blood-thinner such as warfarin or coumadin, overdoing it with the gingko will result in rather thinner blood than you were hoping for. On the other hand, Chinese doctors have been using ginkgo since 2800 BC, so I refuse to lose hope. The plant is certainly full of interesting chemicals such as amentoflavone (which can inhibit the uptake of certain medications) and ginkgolic acid, which is highly allergenic, so maybe these can be turned from ‘the dark side’.

You might think that there would be nothing edible to be found on a ginkgo tree, what with all that talk of the smell of the fruit, but the seeds of the ginkgo (once the smelly stuff is removed) are a traditional food in both China and Japan. In particular, they form part of a celebratory dish called ‘Buddha’s Delight’ which is served at Chinese New Year, a time when a vegetarian diet is thought to bring good luck. And very tasty it looks too.

Whilst researching this piece, I came across this painting by the Japanese artist Watanabe Shotei, and promptly fell in love with it. I like the way that the crow is framed, and the way that the autumn-yellow ginkgo leaves are scattering as she flies through them. This is very different from his other, more formal work, and I think that it sums up the mischievousness of the bird as it ploughs through the august foliage. Or maybe it’s just me.

And finally, there is a belief that even in the shedding of its leaves, the ginkgo is not like other trees. Whilst the oak leaves and the maple leaves drop off one at a time, all the leaves from a ginkgo are said to fall in one night. I can’t say I’ve seen much evidence of that happening with the trees that I know, but maybe this is the case in harsher climates. The poet Howard Nemerov had this to say on the subject:

Late in November, on a single night

Not even near to freezing, the ginkgo trees

That stand along the walk drop all their leaves

In one consent, and neither to rain nor to wind

But as though to time alone: the golden and green

Leaves litter the lawn today, that yesterday

Had spread aloft their fluttering fans of light.

What strange communication occurs between these ancient trees, I wonder, and what complex combination of chemical signals would give rise to such a thing? The more I learn about trees, the less I know.

 

Every Wednesday, I hope to find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of our inquiry. Who knows what we will find…..

Dear Readers, I spotted this tree in East Finchley cemetery last week and, although it is most definitely not a weed, I decided to indulge myself and find out a bit more about it. After all, it is native to Great Britain (albeit only in a tiny corner of south-western Ireland, where it seems to have survived the last ice age) and is a popular street tree – in ‘London’s Street Trees‘ Paul Wood points out that it can be found in Bermondsey, Haggerston, Vauxhall and Holloway, and that there is even an Arbutus Street in Dalston. The Irish connection gave it its alternate names of ‘Irish strawberry tree’ or ‘cane apple’ (from caithne, the Irish name for the tree). Elsewhere, it can be found around the Mediterranean and Western Europe.

The tree is not related in any way to the strawberry that we have for dessert: in fact, it’s a member of the heather family (Ericaceae), something that can be seen more clearly in the flowers than in the fruits. The tree bears both simultaenously, which makes for an attractive and long-lasting display.

The fruits are edible, but, much like the avocados that I sometimes buy, they take twelve months to ripen and then spoil very quickly. The species name unedo means ‘I eat only one’, and is attributed to Pliny the Elder. Whether he meant that one was enough, or that one was so delicious that no more were required is open for debate. I now regret that, in the interests of citizen science, I didn’t try one. There were certainly enough of them about.

The fruit is can be used in a variety of ways: here is a rather attractive crumble cake, for example.

However, as is so often the case, the main use of the fruit turns out to be in the making of alcoholic beverages. In Portugal, the wild fruit is used to make Medronho a 48% proof brandy that is drunk at breakfast to ‘waken the spirits’. In Albania it’s used to make rakia (not to be confused with the aniseed flavoured raki) and can be up to 90% proof. All I can say is that these folk are made of much stronger stuff than me. One glass of prosecco and I’m dancing on the table.

For something slightly less alcoholic, here is a recipe for Irish Strawberry Liquer from the splendid Talk of Tomatoes blog.

The fruit can also be used to make jam, and here is a recipe from the Maremma region of Italy which sounds rather splendid.

What with its fruit and flowers and evergreen foliage, the strawberry tree is a great tree for a small garden, where every plant has to earn its keep. The flowers are pollinated by bees, birds like the fruit (even if we are wary of it) and it has a variety of ecosystem advantages: it can grow in very poor soil, and helps to stabilise it: it is salt-tolerant, and so useful for coastal gardens:it’s fire-resistant: and the thick leaf-cover helps to protect birds and insects during the winter.

Pliny did, however, note that it should not be kept close to bee-hives, for the nectar gives a bitter flavour to honey.

The strawberry tree forms part of the coat of arms of the Spanish city of Madrid, which shows a bear eating the fruits from the plant. There are still about 230 brown bears in the Cantabrian mountains of Spain, and I love to think of them stretching up to eat the berries. There is some indication that the bears may also eat the fermented fruit and collapse in an alcoholic stupor, much as they do in other places where such bounty is available.

In a complete digression, I remember seeing the paw prints of a sloth bear in a forest in India, and being amazed at how human they looked, just like the bare feet of a small child. These creatures resemble us in many ways.

In Italy, the tree, with its red fruit, white flowers and green leaves (the colours of the Italian flag), was seen as a symbol of the unification of the country during the 19th Century.

Medicinally, the leaves of the  strawberry tree have been used for a wide variety of purposes – they are said to be astringent, diuretic, urinary anti-septic, antiseptic, intoxicant, rheumatism, tonic, and have more recently been used in the therapy of hypertension and diabetes. The leaves certainly contain quercetin, which is an anti-oxidant, and are said to have anti-inflammatory properties.

Now, I have referred previously to Hieronymos Bosch’s painting ‘The Garden of Earthly Delights’, and the way that folk can be seen to be wrestling with strawberries, carrying strawberries, and even eating strawberries. I took it for granted that the fruit in question was from the wild strawberry. However, the painting was recorded in the inventory of the Spanish monarch as ‘La Pintura del Madroño‘ – ‘the painting of the strawberry tree’. Have a  look at those giant fruits and see what you think. I suspect that I was right the first time.

And finally to our poem. I am indebted to Greene Deane at the Eat the Weeds website for finding this Irish folk song on the subject of the Arbutus, or strawberry tree. Do pop over to the blog for fascinating information on all things foragable (this may be a new word). Like so many folk songs, it starts well enough, but gets rather less pleasant as we approach the end.

My Love’s An Arbutus

My love’s an arbutus
By the borders of Lene,
So slender and shapely
In her girdle of green.
And I measure the pleasure
Of her eye’s sapphire sheen
By the blue skies that sparkle
Through the soft branching screen.

But though ruddy the berry
And snowy the flower
That brighten together
The arbutus bower,
Perfuming and blooming
Through sunshine and shower,
Give me her bright lips
And her laugh’s pearly dower.

Alas, fruit and blossom
Shall lie dead on the lea,
And Time’s jealous fingers
Dim your young charms, Machree.
But unranging, unchanging,
You’ll still cling to me,
Like the evergreen leaf
To the arbutus tree.

Photo Credits

Photo One (Flowers) by By muffinn from Worcester, UK (Ameixial – strawberry tree Arbutus unedo flowers) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Photo Two (Cake) by By Nzfauna – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39656416

Photo Three (coat of arms) by By Valadrem (http://valadrem.blogspot.com) [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5-2.0-1.0 (https://creativecommons.org/licenses/by-sa/2.5-2.0-1.0)], via Wikimedia Commons